If  © 

ean-Francois  Raffaelli 

r»5 


Ti^rAciu 


AMERICAN  ART  GALLERIES 

(MADISON  SQUARE  SOUTH) 


NEW  YORK 


Digitized  by  the  Internet  Archive 
in  2016 


https://archive.org/details/worksofjeanfraffOOraff 


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WORKS  OF 


JEAN  F.  RAFFAELLI 

On  Exhibition  until  March  17,  inclusive 


At  The  American  Art  Galleries 

(MADISON  SQUARE  SOUTH) 


WEEK  DAYS,  9 A.  M.  TO  6 P.M. 
SUNDAYS,  2 TO  6 P.M. 


I** 


The  American  Art  Association,  Managers 

NEW  YORK 


1895 


Press  of  J.  J.  Little  & Co. 
Astor  Place,  New  York 


THE  PETTY  RESEARCH 

IK'STiTUTE  LIBRARY 


AN  ACKNOWLEDGMENT. 


Since  M.  Raffaelli’s  arrival  in  New  York  he  has  had 
many  kind  offers  from  gentlemen  in  this  and  other  cities 
to  lend  him  examples  of  his  work  for  his  forthcoming 
exhibition.  M.  Raffaelli  having  arranged  to  exhibit  jointly 
with  Mr.  E.  A.  Abbey,  has  not  at  his  disposal  sufficient 
space  to  properly  avail  himself  of  their  kindness,  and  he 
takes  this  means  to  express  his  warm  thanks  and  his 
sincere  appreciation  of  the  very  exceptional  courtesy 
shown  him. 


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/y\j24/ir^  ^ftr/^  l CV"  1^ 


[translation.] 

I recall  to-day  the  time — it  is  nearly  ten  years  since — when  my  good 
friend  Theodore  Child  came  to  Asnieres  with  Mr.  Robertson  of  the 
American  Art  Association,  to  breakfast  in  the  modest  studio  I then  occu- 
pied, and  to  talk  over  the  plans  for  an  exhibition  of  my  works  in  New  York. 

The  years  pass,  friends  depart,  and  we  are  not  masters  of  our  plans. 

Three  years  ago,  Mr.  Sutton  came  in  his  turn  to  visit  me,  and  since 
then  I have  laid  aside,  one  by  one,  the  pictures  and  sculptures  which  are 
now  brought  together  here — although,  for  a few  days,  I despaired  of  ever 
seeing  them  again. 

I had  taken  my  ticket  for  La  Gascogne,  and  all  my  pictures  were  to 
have  come  with  me  ; but,  at  the  last  moment,  I changed  my  plans,  left 
three  days  earlier  than  I had  intended,  and  arrived  in  New  York  in  the 
midst  of  a tempest  of  snow  and  cold.  As  for  my  pictures,  they  were  upon 
La  Gascogne,  and  in  the  hurry  of  my  coming  away  I had  neglected — 
artist  that  I am,  and  little  used  to  affairs — to  have  them  insured. 

Five  years  of  my  life  and  my  little  fortune  were  at  risk  on  La  Gascogne, 
and  she  had  not  arrived. 

I gave  up  all  hope  on  the  day  when,  the  steamer  being  then  nearly 
ten  days  late,  an  insurance  agent  who  followed  me  even  to  the  street, 
offered  to  insure  the  whole  lot  at  22  per  cent. ! 

But  La  Gascogne  has  arrived.  I have  found  my  lost  treasures  safe  in 
their  boxes,  and  here  they  are,  ready  for  the  judgment  of  your  critics. 

If  I can  judge  by  the  cordial  welcome  your  artists  have  given  me,  * 
may  hope  that  my  pictures  will  be  well  received.  They  will  be  welcomed 
as  we  welcome  in  France  the  works  of  your  artists.  Seven  pictures  by 
your  best  painters  have  been  awarded  a place  in  our  Musee  du  Luxem- 
bourg, where  we  hang  the  beautiful  works  of  living  artists.  As  for  myself, 
your  Musee  de  Philadelphie  has  acquired  one  of  my  pictures,  and  it  is  a 
source  of  pride  to  me. 

Shall  I confess  what  it  is  that  has  inspired  my  life  as  an  artist  ? Shall 
I say  that,  for  me,  the  artist  ought  to  be,  as  it  were,  the  apostle  of  the 
beauty  that  is  hid  from  the  common  gaze?  His  part  is  to  elevate  to  the 
domain  of  beauty — that  is  to  say,  to  the  aesthetic  comprehension — all  men 
and  all  nature. 

As  a man,  I have  myself  been  much  moved  by  pity  for  the  poor.  I 
have  known  some  among  them  who  have  had  noble  souls. 

I remember  one  of  these  poor  men,  an  honest  carter  who  had  had  his 
legs  crushed  by  a truck.  He  could  never  hope  to  be  cured,  and  a beautiful 


5 


young  woman  had  him  come  to  her  house  at  a fixed  hour  twice  a week  to 
be  looked  after.  She  was  one  of  those  charming  Lady  Bountifuls  for  whom 
charity  is  a sort  of  amusement.  The  poor  fellow,  who  was  obliged  to  beg 
for  a living,  and  who  walked  with  difficulty,  found  that  his  visits  to  the 
young  lady  cost  him  a good  deal  of  time,  and  he  said  to  me  one  day,  with 
the  sorry  smile  of  a sick  man:  “ What  would  you  have,  my  dear  sir?  1 

lose  my  time,  but  I go,  for  all  that;  it  gives  the  lady  so  much  pleasure.” 
I have  found  here,  since  my  arrival,  everywhere  and  in  a hundred 
forms,  the  traces  of  the  magnificent  generosity  of  your  first  citizens.  They 
give  millions:  it  is  the  sign  of  a remarkable  individual  power.  And  as  for 
art,  I have  met  here  not  a few  earnest  and  clear-sighted  amateurs. 

I envy  your  American  artists.  They  have  a magnificent  future.  They 
have  to  reveal  the  secret  of  beauty  to  your  noble  country,  to  your  splendid 
cities,  to  lift  your  people  to  the  comprehension  of  it,  to  make  them  love  it. 
Do  not  let  a regret  for  old  Europe  linger  in  your  heart,  and  that  it  may  not, 
you  must  have  art  about  you,  and  in  all  its  forms. 

May  this  art  be  ever  more  and  more  worthy  of  your  America,  the 
promised  land  of  liberty.  My  wish  for  y.our  art  is,  that  it  may  be  solid, 
strong,  frank,  and  loyal.  1 could  wish  it  might  be  even  a little  rude.  Too 
much  prettiness  in  the  art  about  us  lowers  the  character,  weakens  the  will, 
soils  the  soul,  and  becomes,  for  him  who  gives  it  a place  in  his  house,  a 
veritable  school  of  frivolity,  of  weakness,  and  of  cowardice. 

(Signed)  J.  F.  RAFFAELLI. 

New  York,  February  21.  1895. 


6 


Catalogue 


***Note. — All  of  the  paintings  and  many  of  the  sketches,  studies 
and  sculptures  in  this  exhibition  are  for  sale.  Prices  and  other  information 
will  be  furnished  by  salesman  in  charge. 

***  The  works  marked  with  an  asterisk  have  been  loaned  by  Messrs. 
Knoedler  & Co.,  Boussod,  Valadon  & Co.,  L.  Crist  Delmonico,  Durand- 
Ruel,  and  Wm.  Schaus. 


SCENES  IN  PARIS 

1 View  of  the  Pantheon* 

2 The  Chickweed  Vender* 

3 Trinity  Church 

4 "Notre  Dame  of  Paris 

5 Boulevarde  des  Italian 

6 On  the  Boulevarde 

7 Luxembourg  Garden  (Pastel) 

8 St.  Etienne  Du  Mont  (in  Miniature) 

9 La  Place  Sainte-Sulpice 

10  The  Crowded  Boulevarde 


7 


1 1 

12 

■3 

'4 

15 

16 

17 

18 

19 

20 

21 

22 

23 

24 

25 

26 


La  Rue  Royale 
L’Arche  de  Triumph* 

Les  Noun-ices,  Place  de  la  Concorde 
La  Place  Sainte-Sulpice 
Summer  Day  in  Paris* 

La  Place  de  la  Republic* 

Les  Nourrices  aux  Champs  Elysdes 
L’Arche  de  Triumph 

PARISIAN  HABITS  AND  CUSTOMS 

Young  Woman  at  Her  Toilet 
Convalescent 

Repose  (awarded  gold  medal,  Exposition 
Universelle,  Paris,  1889) 

Loaned  by  the  Fairmount  Park  Art  Association  of  Philadelphia 

Young  Woman  at  Her  Toilet  (in  Miniature) 
Morning  Chocolate 
Negro  Minstrels  at  Brighton 
In  the  Cafe 

Head  of  a Parisian  Woman 


27 

28 

29 

30 

3i 

32 

33 

34 

35 

36 

37 

38 

39 

40 

4' 

42 

43 

44 


Admiration 

St.  Etienne  Du  Mont 

Scene  de  Marche* 

A Votre  Sante  la  Mfere  Bontemps 
School  Children  Out  for  a Walk 
Peasants  Selling  Vegetables 
Crying  the  Winning  Numbers  of  a Lottery 

SUBURBAN  SCENES  AND  CHARACTERS 

The  Great  Trees 

Little  Street  at  Neuilly  (The  Morning  Sun) 
Little  Street  at  Neuilly  (in  Miniature) 
Old  Man  (Pastel) 

Route  de  la  Revolte 

Rag  Picker’s  Wife  and  Her  Dogs 

At  the  Sand  Pit 

Horses  on  the  Road 

The  Retired  Sailor  and  His  Wife 

A Rag  Picker 

Street  at  Neuilly 


9 


45  The  Old  Lady’s  Garden 

4 6 Vacation  at  Grandpa’s 

PORTRAITS 

47  Portrait  of  my  Daughter  Costumed  for 

Fancy  Dress  Ball 

48  Myself,  1879  (Pastel) 

49  Willette,  Illustrator  and  Painter 

50  Secretary  to  M.  Clemenceau 

51  M.  Milleraud,  Deputy  of  Paris 

52  Mr.  , New  York 

53  M.  Clemenceau,  Speaking  at  a Political 

Meeting,  surrounded  by  other  Notables 

VARIOUS  SUBJECTS 

54  On  the  Seashore — Fog 

55  Going  to  Town 

56  Sunlit  Road 

57  Neapolitan  Vegetable  Vender  at  the 

Market  Place  (Pastel) 


IO 


58  “La  Chapelle  de  la  Vierge” 

59  The  Storm  (Pastel) 

60  Type  of  English  Girl 

6 1 The  Countryman’s  Visit  to  Paris 


PORTRAITS— TYPES  OF  THE  ORDINARY  PEOPLE 

62  Old  Peasant  Woman  (Pastel) 

63  “Citoyens” 

64  A Rag  Picker* 

DRAWINGS 

65  The  Mayor  and  a Member  of  the 

Municipality 

66  Series  of  Drawings,  illustrating  the  play 

entitled  “Thirty  Years  of  an  Actor’s 
Life  ” 

67  Series  of  Drawings,  illustrating  the  play 

of  “ Lucretia  Borgia,”  by  Victor  Hugo 


68  “Fanny  and  Miss  Lily” 

69  The  Stage  Manager 


DRY  POINT  AND  ETCHINGS  — PRINTED  IN 
COLOR 

70  Les  Invalides  (four  states  of  color  for 

my  dry  points) 

The  following  six  numbers,  “Types  of  the  Ordinary 
People,”  are  of  a series  of  illustrations  published  in 
album  form  by  Messrs.  Boussod,  Valadon  & Co. : 

71  Le  Demenagement 

72  Breakfasting 

73  Washing  the  Dog 

74  On  the  Bench 

73  The  Seine  at  Asnieres 

76  Barren  Ground 

77  Les  Invalides 

78  Great  Trees  by  the  Roadside 

79  Portrait  of  the  Artist 

80  The  Old  Lady’s  Garden 

12 


SCULPTURES 


The  following  seven  examples,  Nos.  81  to  87  inclusive, 
were  cast  from  wax  models,  which  were  destroyed 
in  the  process  of  casting: 

81  “The  Old  Fellow” 

Bronze  Bas-Relief  in  Silhouette 

82  A Servant 

Bronze  Bas-Relief  in  Silhouette 

83  Scissors  Grinder 

Bronze  Bas-Relief  in  Silhouette 

84  Le  Ddmdnagement 

Bronze  Bas-Relief  in  Silhouette 

85  A Street  Cleaner 

Bronze  Bas-Relief  in  Silhouette 

86  The  Toper 

Bronze  Bas-Relief  in  Silhouette 

87  Rag  Picker  and  His  Dog 

Bronze  Bas-Relief  in  Silhouette 

88  Pair  Miniature  Busts  in  Bronze  (Mon- 

sieur and  Madame  Denis) 

89  Discussing  Politics  (in  Bronze) 

90  Petit  Bourgeois  (in  Plaster) 


13 


REPRODUCTIONS 


91 


92 

93 

94 

95 

96 

97 

98 

99 

100 

101 

102 

103 


Copy  of  the  “Illustrated  Figaro”  (four 
frames) 

English  Negro  Minstrels 

Le  Quadrille  Naturaliste  aux 
Ambassadeurs 

Place  de  l’Opera 

Painting  owned  by  Mr.  D.  W.  Powers,  Rochester,  N.  Y. 

Notre  Dame  of  Paris 

Painting  owned  by  Mr.  Potter  Palmer,  Chicago 

At  a Suburban  Inn 
Salvation  Army,  London 

Painting  owned  by  Mr.  P.  A.  B.  Widener,  Philadelphia 

A Street  Cleaner 

Painting  owned  by  Museum  of  Christiania,  Norway 

At  the  Concert  Hall 

Painting  owned  by  M.  X.,  Paris 


Auction  at  Hotel  Drouot 

Painting  owned  by  M.  X.,  Paris 

Bohemians 

Painting  owned  by  M.  Knoedler  & Co.,  New  York 

Snow — Near  the  Seine 

Painting  owned  by  M.  Blumenthal,  Paris 

A Sand  Shoveler 

Painting  owned  by  Mr.  John  G.  Johnson,  Philadelphia 


14 


104 

105 

io  6 

107 

io8 

109 

1 10 

1 1 1 

1 12 

113 

1 14 

"5 


In  M.  Gonon’s  Bronze  Foundry 

Painting  owned  by  the  Museum  of  Lyons 

“ On  the  Bench  ” 

Painting  owned  by  Mr.  John  G.  Johnson,  Philadelphia 

A Rag  Picker 

Painting  owned  by  the  Museum  of  Nantes 

After  Painting  His  Gate 

Painting  owned  by  M.  Paul  Errera,  Brussels 

“ Fifteen  Francs  a Month  to  Begin  ” 

Painting  owned  by  M.  Montandon,  Paris 

The  Sunday  Walk 

Painting  owned  by  M.  Farge,  Pau 


Feeding  Chickens 

Painting  owned  by  M.  Fritz  Mahler,  Rotterdam 

The  Demenagement 

Painting  owned  by  M.  Desfosses,  Paris 

Servant  at  the  Market 

Painting  owned  by  the  Museum  of  Beziers 

Trinity  Church 

Painting  owned  by  Mr.  Potter  Palmer,  Chicago 


At  the  Circus 

Painting  owned  by  M.  Schroeder,  Berlin 

The  Singing  Master 

Painting  owned  by  M.  Farge,  Pau 


15 


1 1 6 

117 

1 18 

1 19 

120 

121 

122 

123 

124 

125 

126 

127 


Crying  the  Winning  'Numbers  of  a 
Lottery 

La  Femme  Colosse 

Painting  owned  by  M.  B.,  Paris 

The  Vegetable  Vender 

Painting  owned  by  M.  X.,  Paris 

An  Old  English  Woman 

Painting  owned  by  M.  Leon  Daudet,  Paris 

Breakfasting  at  the  Exposition  Universelle 

Painting  owned  by  M.  Gustave  Geffroy,  Paris 

An  English  Bartender  of  the  Lower  Class 

Painting  owned  by  Madame  Adam,  Paris 

A Chimney  Builder 

Painting  owned  by  Mr.  W.  T.  Dannat,  Paris 

Blacksmiths  Drinking 

Painting  owned  by  M.  Fernand  Crouan,  Nantes 

On  the  Road 

Painting  owned  by  M.  Crussem,  Antwerp 

The  Morning  Walk 

Painting  owned  by  M.  Ernest  Blum,  Paris 

“ Claude  Gueux  ” — Victor  Hugo 

Painting  owned  by  M.  X.,  Paris 

An  Old  Couple  Without  Children 

Painting  owned  by  Mr.  W.  L.  Elkins,  Philadelphia 


16 


128 

129 

130 

>3' 

132 

133 

•34 

135 

136 

•37 

• 38 

•'39 

140 


A Learned  English  Woman 

Painting  owned  by  Madame  Jeanne  Hugo,  Paris 

Designing  a Bill  Poster 

Painting  owned  by  M.  Charles  Hayem,  Paris 

Near  the  Bank  of  the  River 

Painting  owned  by  M.  Gustave  Geffroy,  Paris 

At  the  Races 

Painting  owned  by  M.  X.,  Paris 


Head  of  a Sailor 

Painting  owned  by  M.  Rodin,  Paris 


Grandfather 

Painting  owned  by  M.  Paul  Galimard,  Paris 

Admiring  His  Sun  Flowers 

Painting  owned  by  M.  Felicien  Champsaur,  Paris 

Portrait — M.  George  Rodenbach,  the 
Poet,  Paris 

An  English  Laborer 

Painting  owned  by  Mr.  X.,  London 

Retired  French  Officers 

Painting  owned  by  the  late  M.  Albert  Wolff,  Paris 

Nurse  Girls  and  Soldiers 

Original  owned  by  M.  X.,  Paris 

The  Old  Clothes  Woman 

Painting  owned  by  M.  X.,  Paris 

At  the  Exposition,  1889 

Painting  owned  by  M.  Boivin,  Paris 


17 


14 1 The  Glazier 

Painting  owned  by  M.  Paul  Bourget,  Paris 

142  Actress  in  the  Green  Room 

Painting  owned  by  the  Earl  of  G.,  Paris 

143  At  the  Concert  Hall 

144  Portrait  of  Theresa 

Painting  owned  by  Madame  Th£r!sa,  Paris 

145  A Duet 

Painting  owned  by  M.  V.  C.;  Paris 

146  Portrait — Edmond  de  Goncourt 

Painting  owned  by  Museum  of  Nancy 

147  The  Circus  Band 

Painting  owned  by  M.  Edmond  Magnier,  Paris 

148  Spectators  at  a Concert  Hall 

Painting  owned  by  M.  X.,  Paris 

149  First  Comers  at  the  Wedding 

Painting  owned  by  M.  Charles  Hayem,  Paris 

150  A Concert  Singer 

Painting  owned  by  M.  X.,  Paris 

15 1 The  Cobbler 

Painting  owned  by  Madame  Henry  Grdville,  Paris 

152  Misery — The  Worst  Quarters  of  Paris 

Painting  owned  by  M.  Manzi,  Paris 

153  The  Convalescent 

Painting  in  the  Museum  of  Luxembourg 

The  American  Art  Association,  Managers 

18 

aa ...  cag)  c, 


